Schenker’s Challenge: Auxiliary Cadences and First Movements

• Music Theory SouthEast, University of Miami, Coral Gables, Florida, 2005 Dublin
• International Conference on Music Analysis, 2005

Reconsidering the Sonata Principle

• Music Theory Midwest, University of Missouri-Kansas City, Conservatory of Music, 2004

Still Within the Sonata Principle: Beethoven’s Principal Themes and Their Recapitulation

• North Carolina School of the Arts, 2004

Director of Orchestral Program and Conductor

• XII Music Festival of Vale Vêneto, Brazil, 1997

Linguagem e o agregado cromático: As Variações, Op. 27 de Anton Webern [Musical Langugage and the Chromatic Aggregate: Anton Webern’s Variations, Op. 27]

• Inaugural Lecture, School of Music, Universidade Federal de Santa Maria, Brazil, 1997

Tempo e processos de transformação rítmicas no segundo movimento das Três peças para Quarteto de Cordas de Stravinsky [Time and the Processes of Rhythmic Transformation in the Second Movement of Stravinsky’s Three Pieces for String Quartet]

• XII Music Festival of Vale Vêneto, Brazil, 1997

Uma linguagem singular: a estrutura tonal em Syrinx de Claude Debussy [A Singular Musical Language: Tonal Structure in Claude Debussy’s Syrinx)

• XII Music Festival of Vale Vêneto, Brazil, 1997

Interação de espaço e linguagem no Benedictus da Missa L’homme armé de Josquin des Prez [The Interaction of Musical Space and Language in the Benedictus of Josquin de Prez’s Missa L’homme armé]

• XII Music Festival of Vale Vêneto, Brazil, 1997

Novas estratégias e técnicas de análise musical [Recent Musico-Analytic Strategies and Techniques]

• XII Music Festival of Vale Vêneto, Brazil, 1997

Bach and MDLT: A Postmodern Hearing of the E-Major Violin Concerto

• University of North Carolina em Greensboro, 1996

Multiply-directed Linear Time and Bach’s Violin Concerto in E Major

• Music Theory SouthEast, 1996

Teaching Music Analysis to the Non-Major

• Georgia Association of Music Theorists, Atlanta, 1994

Tonal Grouping: An Addendum to Lerdahl and Jackendoff’s A Generative Theory of Tonal Music

• Third International Conference for Music Perception and Cognition, University of Liège, Belgium, 1994
• Washington University in St. Louis, Department of Music Lecture Series, 1993

The Interaction of Tonal Grouping and Rhythmic Grouping

• Georgia Association of Music Theorists, Atlanta, 1993

Playing with Time: Meter and Hypermeter in the Third Brandenburg Concerto 1990

• College Music Society, Great Lakes Chapter, 1990 Michigan Music Theory Society, 1990

Temporal Expansions in Bach’s Harpsichord Concerto in F Minor

• College-Conservatory of Music, University of Cincinnati, 1990 Michigan Music Theory Society, 1990